“Photos and words by Seivan Salim“
On August 3rd 2014, ISIS insurgents attacked the northern Iraqi city of Sinjar in an attempt to expand their so-called ‘caliphate.’
For centuries, Sinjar has been a hub of ethnic and religious diversity, but has predominantly been inhabited by Yazidis, an ancient monotheist community whose gnostic faith has elements of Zoroastrianism, Christianity and Islam.
During the weeks following the fall of the city, the Sunni militants who see the Yazidi people as devil worshippers carried out a genocidal campaign, killing tens of thousands of people and kidnapping over 5,000 women who they later sold into sexual slavery.
One year later, Seivan Salim, an Iraqi female photographer, tracked down some of the women who managed to escape.
She has portrayed them wearing the traditional white Yazidi wedding dress – a symbol for purity.
Identifying details of their accounts have been omitted and their names changed in order to ensure their safety.
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The air is thick with dust and the smell of sewage in Chermo camp where a cluster of prefabricated cabins house 196 members of the Shabak minority. Brittle fencing draped in freshly-washed clothes separates the makeshift homes from a busy highway; a linear strip of hot tarmac that runs from the town of Chamchamal to the city of Sulaymaniyah in the Kurdistan Region of Iraq. The barren piece of land was lent to the families cost-free by a wealthy Kurdish tribe.
In the camp one morning a plane passes overhead and Awatif, Adam’s wife looks up with a start. Marwan doesn’t hear the noise and continues to cut hair in his make shift shop. For Sulaiman returning home seems a long way off after news of the killings. Stuck between different factions in Iraq and trailed with suspicion, Adam, Marwan and Sulaiman must build their lives again at edge of Kirkuk.
THE EXEMPLARY SCHOOL OF SITAK
Isn’t this the story of every mosque, house and city in the Middle East? A mosque is built over the ruins of a church which has been built over the ruins of a synagogue which has been built on the ruins of an ancient temple; and someone comes to ruin it all over again. Ruins inherit ruins, and generations follow generations. They rise from the ashes and restore everything, a long feverish struggle for survival. We cannot call it a war because it isn’t, regardless of the fact that we are all fighting for a dream.
AT THE CHICKEN FARM
The chicken farm stands amid an expanse of wheat fields at the end of a long dirt road several kilometers from the nearest village. It was lush and green when the 47 Sunni Arab families from Jarallah arrived and the ripening wheat stalks rippled in the wind. Now the harvest is over and the parched golden stubble gives up clouds of dust when the wind blows.
YEARS OF WANDERING IN THE LAND OF IRAQ
When the Americans came so did al-Qaeda waving the banner of religion. They made a few military operations against the Americans to gain people’s trust and support, but then started slaughtering them. Either you supported them or they killed you. Meanwhile, they wore shorts in the evening and played sports with the Americans to convince them that they were not terrorists.
TWO RELIGIONS ONE ROOF
Maysun Yalda and Widad Fadill sit opposite each other, sipping tea under a brightly coloured rug. “It’s Jesus,” says Maysun, pointing towards the male figure sewn into the heavy tapestry hanging from her kitchen wall. 44-year-old Maysun is a Christian from Tel Kaif in Nineveh, some 400km north of 47-year-old Widad’s hometown of Fallujah in Anbar, a Sunni stronghold.
THE BUTCHER OF KHALAKAN
Thirteen year-old Ali fled the violence in Salahaddin and found refuge in the remote Kurdish village of Khalakan where he works as a butcher.
GRAND BAGHDAD HOTEL
I can’t remember my experience in the Grand Baghdad Hotel just by merely thinking of the name because this place looks nothing like a hotel nor does it have anything to do with the glamorous name it bears. Instead, I think of the charming film The Grand Budapest Hotel where cinema beautifies tragedy and where protagonists die smiling or in the middle of a romantic kiss.
THE ORPHANS OF ALQOSH
One evening late in the summer of 2014 people from five villages in the province of Nineveh streamed onto the roads along with the orphans from Alqosh. Between their cars and ISIS stood only burning pyres of rubbish and an emptying no man’s land. Milad Hani, 9, and his brother Wissam, 11, were part of the exodus.
OIL AND BLOOD
Zaidoon’s seventeen year-old cousin, Jamal, darts through the refinery’s enormous storage drums. He is trying to fill a jerry can with gasoline for one of the truck drivers who’s pulled up in an empty tanker. Jamal runs over to the huge drum that holds the gasoline and throws open the spigot at the bottom. A jet of black liquid shoots out which then turns clear. Jamal cups his hand and catches some of it, bringing it up to his face as if he’s about to take a sip.
The Kurds in northern Iraq were suffering under the burden of a long frontier war with the Islamic State (ISIS), a financial crisis and the arrival of more than one million people displaced by war, altering the ethnic balance of their proto state. Shaqlawa, once a popular holiday destination had become a shelter for thousands of Iraqi Arabs fleeing the grinding war further south who now outnumbered the local Kurdish population.